Aab-e-Hayat | by Umera Ahmad Complete Urdu Novel | PDF eBook
Aab-e-Hayat Urdu novel is viewed as the continuation of well known Urdu novel Peer-e-Kamil which was turned into a web sensation on web due to its recognized point. Later on the Peer-e-Kamil Novel was likewise interpreted into English dialect with the same name Peer-e-Kamil in English. Aab-e-Hayat is the second a portion of Peer-e-Kamil. This is a short Urdu novel and another gem of Umera Ahmed. Umera Ahmed has shaken by and by composing this wonderful Urdu novel Aab-e-Hayat.
Aab-e-Hayat is the Arabic expression which shows to Water of Life. This Urdu novel is here in Pdf organize and the length of 62 pages with the Pdf document size of 11.36 MB as it were. You can free download and read online this Urdu novel from the table underneath the example pages.
BRIEF
INFORMATION ABOUT THE PDF EBOOK
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Book Name:
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Aab-e-Hayat
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Writer:
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Umera
Ahmad
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Language:
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Urdu
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Format:
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Pdf
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Size:
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11.36
MB
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Pages:
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62
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Urdu writing was by and large made more out of verse than of
composition. The exposition segment of Urdu writing was for the most part
limited to the antiquated type of epic stories called Dastan (داستان). These long stories
have entangled plots that arrangement with supernatural and generally fabulous
animals and occasions.
The class began in the Middle East and was dispersed by
people storytellers. It was acclimatized by individual creators. Dastan's plots
are construct both with respect to fables and established scholarly subjects.
Dastan was especially prevalent in Urdu writing, typologically near other story
kinds in Eastern written works, for example, Persian masnawi, Punjabi qissa,
Sindhi waqayati draw, and so forth., furthermore reminiscent of the European
novel. The most established known Urdu dastans are Dastan-i-Amir Hamza,
recorded in the mid seventeenth century, and the on longer extantBustan-iKhayal
(The Garden of Imagination or The Garden of Khayal) by Mir Taqi Khayal (d.
1760). The majority of the account dastans were recorded in the mid nineteenth
century, speaking to the consideration of "meandering" themes
acquired from the fables of the Middle East, focal Asia and northern India.
These incorporate Bagh-oBahar (The Garden and Spring) by Mir Amman,
Mazhab-i-Ishq (The Religion of Love) by Nihalchand Lahori, Araish-i-Mahfil (The
Adornment of the Assembly) by Hyderbakhsh Hyderi, and Gulzar-i-Chin (The Flower
Bed of Chin) by Khalil Ali Khan Ashq. Other renowned Urdu dastans incorporate
Nau tarz-i murassa' by Husain 'Atā Khān Tahsīn, Nau ā'īn-i hindī (Qissa-i Malik
Mahmūd Gīti-Afroz) by Mihr Chand Khatrī, Jazb-i 'ishq by Shāh Husain Haqīqat,
Nau tarz-i murassa' by Muhammad Hādī (a.k.a. Mirzā Mughal Ghāfil), and Talism
Hoshruba by Muhammad Husain Azad.
Novels:
At first, Urdu books concentrated on urban social life, in
the end broadening in degree to incorporate provincial social life. They
likewise secured the changing times under the dynamic composition development
roused by Sajjad Zaheer. Be that as it may, the freedom of Pakistan in 1947
significantly influenced the novel, raising inquiries of personality and
movement as can be found in the real works of Abdullah Hussain and Quratulain
Haider. Towards the end of the most recent century the novel took a genuine
turn towards the contemporary life and substances of the youthful eras of
India. The most critical books of the present era of Indian authors in Urdu,
which exhibit another trust in contemporary life, are Makaan by Paigham Afaqui,
Do Gaz Zameen by Abdus Samad, and Pani by Ghazanfer. These works, particularly
Makaan, brought the Urdu novel out of the overall subjects of the autonomy of
Pakistan in 1947 and personality issues and took it into the domain of cutting
edge substances and issues of life in India. Makaan impacted numerous English
journalists, for example, Vikram Seth, who swung to novel composition. These
Urdu books promote influenced huge works, for example, Andhere Pag by Sarwat
Khan, Numberdar Ka Neela by S M Ashraf and Fire Area by Ilyas Ahmed Gaddi.
Paigham Afaqui's second significant novel, Paleeta, was distributed in 2011 and
portrays the strain of the political sickening of a typical Indian national in
the six decades after India's freedom. Confused by the frustrating condition of
vote based system and the change of Indian culture into a mental abandon the
focal character bites the dust in the wake of deserting his compositions which
burst into flames.
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